Harry Skoler, who put this joint together, plays clarinet and eases you into the Lester Young tune so sweetly that you wonder why the instrument isn’t more popular.

I appreciate your gratitude, but you should thank yourself. Your fine work demands exposure, and it's my privilege to provide it.

Throughout this strikingly evocative project, the clarinet virtuoso — a Mingus obsessive since his teens — offers efflorescent improvisations through arrangements of nine Mingus compositions by Ambrose Akinmusire, Fabian Almazan and Darcy James Argue, with a to-die-for rhythm section of Kenny Barron, Christian McBride and Johnathan Blake, joined on various tracks by trumpet titan Nicholas Payton, vocalist Jazzmeia Horn and a string quartet.

Such a treat to share with our listeners.

The album is powerful and I wouldn't be surprised if we see it among the Grammy nominees, or maybe it will bring the Golden Gramophone itself to its creators.

Great release! Glad to share it with my listening audiences as we celebrate the Centennial.

…the richness of his tone, somewhere between romance and melancholia, draws you into the music.

If this disc doesn't get a Grammy nomination, then I don't know who, and for what!

This album is a thing of beauty and one can only thank Harry Skoler for digging Mingus enough to drop this.

If clarinet might seem like a questionable instrument to lead a Mingus tribute, Skoler casts aside any doubt in the opening moments of "Goodbye Pork Pie Hat."

Everything sounds great, the music swings and the ensemble has real command of the charts, of shifting moods and especially fine modulations of dynamics.

…Skoler lays back, letting his clarinet seduce with purring trills that stretch the limits of human hearing.

Harry Skoler is a clarinetist who employs this difficult instrument with a gentle and loving touch … Skoler's sound is elegantly supple …

Skoler speaks confidently with a poignantly transparent and vibrant sound.

This is such a lovely album. It's an honor to play it.

Thank you for the great music!

The clarinetist's original "Underdog" wraps things up with a free moving piece that leans into the duality of its inspiration, both turbulent and gentle at the same time.

The most important thing for jazz musicians is if they can be recognized after a few notes. Skoler is clearly recognizable!

The arrangements make excellent use of instrumental color and put Mingus’ themes into the context of extended, complex harmonies…this is good music well played, it feels good as it goes down…Skoler’s own “Underdog”…convincing, with flashes of complex, unresolved emotions and ideas—Mingus.

Harry Skoler plays with a melancholy but hopeful tone that adds a poignancy … His clarinet sound has a deep, rich quality…

He plays with a muscular tone that gets to the heart of the piece … like Mingus, the album offers new discoveries with each listen.

No need to be so humble, the album is freaking great.

Living in Sound: The Music of Charles Mingus, was a warmly incantatory concerto-like setting for clarinetist virtuoso Skoler and orchestra…

Argue … takes “Duke Ellington’s Sound of Love” into interesting territory with an arrangement that straddles the lush and spare, one that Skoler navigates beautifully in his lead, with tones of respect for the composer Mingus most admired.